★ Talent Roster ★

Douglas R. is an award-winning filmmaker, writer, director, and creative director whose work spans feature film, television, digital content, and several formats that did not exist when his career began.

His horror web series, developed originally as a commissioned project following a viral short, was acquired by AMC Shudder where it ranked as the number one short-form series on the platform during its premiere summer. He has worked with every major studio and network in a variety of capacities. He is also a champion show jumper, a woodworker, a musician, and a baron. He owns a partially restored stone manor in Europe.

He is currently in active development on several projects, details of which are available upon request. He is also the developer of a software platform that is the subject of ongoing discussions with major streaming services. One of those discussions involves lawyers. This is noted.

Douglas R. is also a champion yo-yo artist, owns a plot of land on the moon (certificate forthcoming), once went on a 90 ft dive in shark-infested waters in South America with only one ten-minute lesson in a swimming pool for certification, and can rollerblade backwards.

Douglas R. no longer brings reptiles to pitch meetings. This is stated here for the record.

Reginald Phlox is best known for his 1987 short film Corridor, which screened at a festival he prefers not to name specifically but describes as "competitive." He has been in active development since 1989. Several projects are close. He describes all of them as close. He is based in the Valley.

Beverly Crane is a director and television producer whose work has been described as "assured" by at least one publication. Her feature debut premiered internationally, which is a phrase that covers a range of circumstances. She is currently attached to two projects, one of which is fully financed and one of which is "essentially financed."

She is not the Beverly Crane who directed the documentary about competitive cheese rolling. That is a different Beverly Crane. She has asked that this be noted. It is noted.

Terrence Mulk is a screenwriter whose feature script Approximate Tuesday was optioned in 2017 and again in 2019 by different people. The option has since lapsed in both cases. He describes the script as "timely" and notes that its themes are "if anything more relevant now." He has two additional scripts in various stages of completion. He is a graduate of a screenwriting programme. He attended several sessions.

Terrence also has a podcast about the craft of screenwriting. It has eleven episodes. The most recent episode was released fourteen months ago. He describes it as "on a brief hiatus."

Patricia Loam has written for television in a capacity she describes as significant and others describe as a room position she held for one season of a show that was cancelled before the season aired. She considers this produced work. There is ongoing discussion about this characterisation. She is currently developing her own project, which she is also directing, producing, and composing the music for. She describes this as a creative choice rather than a budget constraint.

Enormous Webb is the founder of Furious Zen and creator of the Furious Zen Method, a wellness framework that has helped zero people and harmed none. He posts daily from various locations he does not explain. He is 23% calmer than the average content creator. This has not been independently verified. He states it as fact. Nobody has challenged it.

His career guide, Lateral Thinking: Failing Sideways, is available as a free download at furiouszen.com. It has helped zero people find employment.

He has been described as "something" by everyone who has encountered him. Nobody has elaborated on what the something is.

Dante Foote is a Certified Stillness Professional and the author of Stop: A 0-Step Program, forthcoming from Furious Zen Press (Q4 2003). He has delivered career and wellness guidance to a growing audience through his platform at furiouszen.com. His guidance has not resulted in documented employment. It has resulted in other things. He is fine with this.

He rates most things 6.5. He does not elaborate on the rating. He has been asked about this on many occasions. He has not elaborated.

Chad Silence is a professional mime with over twelve years of experience in physical theatre, street performance, and corporate events. His name was legally changed in 2011. His previous name is not available. He considers this a professional decision and also a philosophical one.

His bio was originally submitted to the agency in mime. Martin was present for the submission. His transcription of the bio is reproduced here. He acknowledges it may not be fully accurate in all particulars.

Chad does not speak during performances or, as far as Martin can determine, at any other time. Correspondence with Chad is conducted via a system of notes he passes under Martin's office door. The notes are handwritten. His handwriting is excellent. Martin finds this surprising and has not said so.

He is available for film, television, theatre, and events. He will not narrate, commentate, or provide voiceover. This is non-negotiable. Martin has tried twice. It remains non-negotiable.

"Vegas" Vic Mulvaney is a professional celebrity impressionist currently offering a roster of fourteen impressions, all of which are, as Vic describes them, "very close." The impressions span five decades of entertainment and cover icons from film, television, and music.

Martin has seen all fourteen impressions. He describes them collectively as "committed." He has not described them as accurate. He believes Vic is aware of the distinction. He has not confirmed this with Vic.

Vic's current impression roster includes: Frank Sinatra · John Wayne · Elvis Presley · Humphrey Bogart · Marlon Brando · James Cagney · Cary Grant · Dean Martin · Sammy Davis Jr. · Katharine Hepburn · Bette Davis · Jimmy Stewart · Jack Nicholson · Arnold Schwarzenegger.

All fourteen impressions have been described by audience members as sounding like the same person. That person is not any of the fourteen listed above. He is from Ohio. Vic is also from Ohio. Martin considers this a coincidence. He is not certain it is a coincidence.

(One name only. Martin has asked for a surname. Binko has declined.)

Binko has performed at over 400 events across the tri-state area since his debut in 2003. His availability has increased significantly since 2019. He does not discuss 2019.

Binko's performance package includes balloon animals, basic magic, physical comedy, and what he describes as "a special energy" that he brings to every event. The balloon animals are dogs and, occasionally, something that is meant to be a giraffe. He describes the giraffe as "a work in progress."

His references are available upon request. Martin has reviewed the references. He describes them as "broadly positive with some nuance." He has not elaborated on the nuance.

Binko is available for children's parties, corporate events, and private functions. He is not available for funerals. This is stated here because it has come up. Binko does not remove the costume for photos. This is in the contract. Martin has reviewed the contract.

Princess is a 12-year-old Welsh Section B pony standing at 12.2 hands. She is grey with a white mane. She has appeared on camera on at least one confirmed occasion and possibly two, depending on whether the background of a regional television advertisement counts as an appearance. Martin has decided it counts.

She is described by her owner as "very calm" and "good with children and most adults." Martin has met Princess once, briefly, outside his office. He describes the encounter as "fine" and has not elaborated.

Princess is available for film and television productions requiring a pony, promotional events, children's parties, and private functions. She does not do tricks. She is a pony. Martin considers her presence sufficient.

She is represented by William Maurice Endeavors as a personal favour to someone Martin prefers not to identify. The arrangement has been ongoing for three years. Martin has not renegotiated the terms.

Duchess is an 8-year-old Exmoor pony standing at 11.3 hands. She is bay with a dark mane. Her credits are, by a narrow margin, more extensive than Princess's, which has been a source of what Martin describes as "an ongoing dynamic between their respective handlers" that he is "managing."

She has appeared in one confirmed television production in a speaking scene — meaning a scene in which a character spoke to her and she was present — which her handler argues constitutes a speaking role by association. Martin has not confirmed this position. He has also not denied it.

Duchess is described as "spirited." This is the word Martin has agreed to use. Her handler proposed "full of personality." The word agreed upon is spirited.

Derek Fallow is a classically trained actor with twenty-three years of experience in theatre, film, and television. He trained at the London Academy of Dramatic Art and has since built a career in both the UK and US markets across a range of projects.

He is warm, professional, punctual, and takes direction well. He brings a deep commitment to every role and has received consistently positive feedback from every production he has been involved with.

Derek is currently available for leading and supporting roles, both dramatic and comedic. His schedule is clear through the end of the year.

Sandra Oakes is a trained actor with credits in theatre, independent film, and commercial work. She holds a degree in drama from a respected institution and has continued to develop her practice through additional training, workshops, and what she describes as "constant study of the human condition."

She is perhaps best known within the agency for her Special Skills section, which Martin describes as "the most comprehensive he has encountered in thirty years of representation" and which she updates quarterly.

"Sandra is an excellent actor. These skills are all genuine. Martin has verified several of them personally. He has not verified the moth one. He has taken Sandra at her word on the moth one."

Note: Not represented by Martin. Martin made a specific arrangement about this. T. Webb handles The Capuchin Brothers exclusively. Martin is not involved. This is a firm boundary.

The Capuchin Brothers are a troupe of seven trained capuchin monkeys specialising in juggling, object manipulation, and what their handler describes as "general performance energy." They have been performing together since 2017 under the management of their trainer, Ray, who submits all correspondence on their behalf.

They are available for film, television, commercials, live events, and select corporate appearances. Their performance runs approximately fourteen minutes. There is no fifteen-minute version. Ray has been asked about a fifteen-minute version on several occasions. There is no fifteen-minute version.

Their technical capabilities include: three-ball juggling (all seven), five-ball juggling (three of them, two inconsistently), object passing between performers, and what Ray calls "the finale," details of which he prefers to keep as a surprise for the client.

Martin has seen the finale. He has described it as "something you don't forget." He has not elaborated. He has asked not to be asked about it again.

Trevor Moss is a dedicated actor with broad experience across theatre, film, and commercial work. He completed his training at the Midlands School of Dramatic Arts and Performance and has been working professionally since 2009.

His credits include a regional theatre production of a musical that closed in previews due to circumstances unrelated to his performance, an industrial training video for a logistics company that is still in use across their European distribution network, and a television commercial for a regional broadband provider that tested below target and did not air. He considers the broadband commercial his best on-screen work and has a copy.

Trevor has also been the understudy for the understudy in two productions. Both productions ran without incident, meaning he did not perform. He attended every rehearsal.

He is available immediately. His schedule is completely clear. Martin describes Trevor as "one of the most available clients he has." Trevor has asked Martin not to phrase it that way. Martin has rephrased it as "consistently available." Trevor has accepted this.

Meredith Vane is a television actor best known for her work on the long-running daytime drama Harbour's Edge, on which she had a recurring presence across three seasons. She describes herself as a "series regular" in all correspondence. Martin has asked the website to describe her as having "appeared across multiple seasons," which is accurate.

She appeared in episodes 14 and 22 of series 4 and the background of a wedding scene in series 6. She has attended the wrap party for series 7 and 8. She was not in series 7 or 8. She was not asked not to come. She simply came.

Meredith is preparing a one-woman show. It has been in preparation since 2019. She describes it as "almost ready." Martin has heard three versions of the one-woman show in various stages of development. He describes all three as "distinct."

Phillip and Audrey Stump are a husband and wife acting team who have been working together professionally since their marriage in 2008. They are available for roles as a couple only. They do not accept individual bookings.

Martin has explained on multiple occasions that most productions do not require a husband and wife in every scene. Phillip and Audrey have acknowledged this information. Their position has not changed.

They are accomplished actors individually. Phillip has strong theatre credits and a warm, reliable screen presence. Audrey has television experience and excellent comic timing. Together they work seamlessly. The challenge, as Martin has noted in conversations with casting directors, is the "together" requirement, which applies to all productions regardless of whether the production has a natural place for a couple.

They have been seen together in: a television commercial for home insurance (as a couple), a short film (as a couple), a regional theatre production of a play that originally had no couple but was adjusted to accommodate them (with some structural changes), and a corporate video for a kitchen company (as a couple, as the client requested, and as the script then became about). Martin is still representing them. He is doing his best.

(Real name not provided. Martin has the real name. He has agreed not to use it. This is also in the contract.)

"Muscles" McGee is a strongman performer and physical actor available for film, television, live events, and corporate entertainment. His primary specialty is the bending of things.

The things he bends include: frying pans, metal bars (up to 12mm diameter), and what he calls "certain household items" which he declines to specify in advance as he considers this part of the experience.

He is also available to lift people, which he has done at events to varying responses. He does not drop people. Martin has asked him to include this. He has confirmed it. He has not dropped anyone. This is accurate as of the date of this profile.

McGee describes himself as a "physical actor" and has completed two acting workshops in addition to his strongman training. He feels the workshops have "opened him up emotionally." Martin has noted this. He considers it potentially useful for certain roles.